I'm in that in-between time that reminds me of the days and weeks I spent waiting to hear back from agents and then editors. Now, I'm waiting to hear from readers. A select number of galleys have gone out to respected scholars and writers in hopes of getting an eye-catching blurb. Those are starting to come in--five so far, from writers like Elaine…
Last week I learned that I will be receiving a grant from the National Endowment for the Humanities to write my next book, Reading Little Women: The History of an American Classic. The grant comes from the NEH's new Public Scholar program, which generated some media attention, including this Washington Post article, in which I am quoted. I am thrilled to be able to…
I'm working on the copyedits of the manuscript now and am almost done. This is the time for scrutinizing every comma and hyphen. Here and there I add a phrase for clarity or delete a sentence that seems repetitive. But mostly it's making sure each name is spelled correctly. Today, however, I rediscovered for a moment the joy of research, when you are…
The manuscript is done—it just needs copy editing and proofing, and then it will be a book. But it seems there is one more major hurdle I hadn't counted on. After spending the last five years writing this book, everything now hangs upon getting permission to quote from the letters of the figures I’m writing about. Chief among them are, of course, Constance…
Last weekend in Washington, D.C., 22 Woolson scholars—or Woolites (as we call ourselves)—gathered to share their research and celebrate the Woolson Society’s twentieth anniversary. Twenty-two participants may not sound like much, but their energy and enthusiasm far exceed their numbers. As the conference organizer, I had my share of worries, but they faded in the midst of so much conviviality and strong scholarship.…
Perhaps I shouldn’t be shocked, but I was when I read the Washington Post’s review of Karen Abbott’s new book, Liar, Temptress, Soldier, Spy, about four women who participated in the Civil War. Jonathan Yardley compares what he sees as the book’s troubling passages to writing “borrowed from the pages of a women’s magazine.” Apparently, women’s magazines are full of writing that he…
I’ve been in my writing cocoon for a while now. But I am happy to say that a full draft of the manuscript of my Woolson biography is complete and now in the hands of my brilliant editor, Amy Cherry at Norton. I feel an odd mixture of relief and trepidation. A tremendous weight has lifted, but I also know that there is…
A recent piece in the Atlantic argues that women writers’ lack of all-supporting, all-sacrificing spouses—in the vein of Vera Nabokov—may be a missing link to help explain the lack of gender parity in the literary world today. Vera was the kind of wife who not only took care of all of the details of her family’s life (including doing all the driving—Vladimir never…
I have been reading Rebecca Mead's new book, My Life in Middlemarch, and thinking more about what drew Woolson to George Eliot, one of her favorite authors. When she began her career, Eliot was the most revered female author, so it was natural for her to be inspired by her. In fact, Woolson’s works were often compared to Eliot’s. The Century, for instance,…
The working title for my biography of Woolson obviously refers to Henry James’s now-classic novel. Let me explain why I chose it. After reading The Portrait of a Lady, Woolson wrote to the author about his heroine, Isabel Archer, “With no character of yours have I ever felt myself so much in sympathy.” She experienced with Isabel “a perfect . . . comprehension,…