Today my review of Lady Byron and Her Daughters, by Julia Markus, appeared at the Los Angeles Review of Books. In it I address what it means to write the biography of a woman overshadowed by a famous man. "Writers of such biographies face the challenge of convincing readers that their subjects deserve biographical treatment for their own sake, not simply because they were the…
Today I will revisit Rome, the final stop on my 2013 trip to walk in Woolson's footsteps in England and Italy. I visited the Forum, saw the Coliseum, and battled with the crowds at the Vatican. (I gave up when I leaned my head back to look up at the ceiling of the Sistine Chapel and got whacked in the head by another…
Over the past two weeks, a flurry of emails and a phone call from my editor and her assistant has signaled that the production process for my biography has begun. Incredibly, Norton had its “launch” meeting for next winter’s titles last week. It’s hard to believe that the long process has already begun, one year before the book will finally be released. Decisions…
Publishing online is a quite an experience for an academic. Last week I published two pieces—one I had written a couple of months ago, the other I had written very recently. The first, a review of recent biographies about J. D. Salinger and Harper Lee at the Los Angeles Review of Books, was part of my larger goal of building a reputation as…
Perhaps I shouldn’t be shocked, but I was when I read the Washington Post’s review of Karen Abbott’s new book, Liar, Temptress, Soldier, Spy, about four women who participated in the Civil War. Jonathan Yardley compares what he sees as the book’s troubling passages to writing “borrowed from the pages of a women’s magazine.” Apparently, women’s magazines are full of writing that he…
I’ve been in my writing cocoon for a while now. But I am happy to say that a full draft of the manuscript of my Woolson biography is complete and now in the hands of my brilliant editor, Amy Cherry at Norton. I feel an odd mixture of relief and trepidation. A tremendous weight has lifted, but I also know that there is…
The working title for my biography of Woolson obviously refers to Henry James’s now-classic novel. Let me explain why I chose it. After reading The Portrait of a Lady, Woolson wrote to the author about his heroine, Isabel Archer, “With no character of yours have I ever felt myself so much in sympathy.” She experienced with Isabel “a perfect . . . comprehension,…
The grading is done, the semester is over, and the manuscript beckons. As my mind tries to find its way back into the book, I have been re-reading Virginia Woolf’s A Room of One’s Own. I have copied down so many passages that have made me reflect on Woolson’s life and work. I wonder if Woolf would have thought any differently about the…
Back to revising chapter one. I have already cut out 600 words--no small feat. But there is one piece that could never be removed. Although Constance was only weeks old when it happened, it would shape the rest of her life. Here is how I describe it: Only two days after Constance’s birth, her five older sisters came down with fevers, and ominous…
I am happy to report that my biography of Woolson has found a publisher. Here is the announcement that appeared in Publisher’s Marketplace: Professor at University of New Orleans Anne Boyd Rioux's PORTRAIT OF A LADY NOVELIST, the first biography of Constance Fenimore Woolson, a critically acclaimed 19th century American writer who served as the model for her friend Henry James's "Portrait of…